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  • Serenity (2019) [BluRay] [720p] [YTS.AM]
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  • Serenity 2019 BluRay 720p YTS
  • English
  • 720p
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Serenity (2019)

  • Thriller Drama Mystery Science Fiction
  • Baker Dill is a fishing boat captain leading tours off a tranquil, tropical enclave called Plymouth Island. His quiet life is shattered, however, when his ex-wife Karen tracks him down with a desperate plea for help.

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    Description

    Baker Dill (Matthew McConaughey) is a fishing boat captain leading tours off a tranquil, tropical enclave called Plymouth Island. His quiet life is shattered, however, when his ex-wife Karen (Anne Hathaway) tracks him down with a desperate plea for help. She begs Dill to save her - and their young son - from her new, violent husband (Jason Clarke) by taking him out to sea on a fishing excursion, only to throw him to the sharks and leave him for dead. Karen's appearance thrusts Dill back into a life he'd tried to forget, and as he struggles between right and wrong, his world is plunged into a new reality that may not be all that it seems.

    Serenity (2019) download

    Serenity (2019) download

    Serenity (2019) download


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    Reviews

    If you enjoy reading my Spoiler-Free reviews, please follow my blog :) I will always respect and appreciate the will of a director/writer in trying to do something bold and bonkers. Whether that’s a divisive plot twist, a double-faced character or even an unusual method of filming, it doesn’t really matter, as long as it succeeds. Steven Knight delivers a story that doesn’t feel right from the get-go. Everything feels strange and random, with weird dialogues and awkward hints at something underneath it all. Then, a somewhat predictable plot twist changes pretty much everything since our perspective is entirely different now. However, it sinks the movie even more and creates a whole bunch of incongruencies and plot holes. The film wasn’t near good before the twist, and it gradually transformed itself into something jaw-droppingly bad, after it. In addition to this, the final message that Steven Knight leaves the audience with, is probably one of the worst ones since The Emoji Movie. “Doing the wrong things for the right reasons” is always going to be a controversial statement, but in this particular case, having in mind what happens in the movie and who does it involve, it’s 100% wrong and I want to believe that Knight didn’t exactly want to transmit this in the way that he did. There’s an intriguing and meaningful story to be told deep down in this messy screenplay. Behind all of the unnecessary exposition scenes (there’s no need to describe what’s happening since the twist is quite self-explanatory) and cringe-worthy dialogues, there’s a well-structured narrative and an extraordinary concept to be explored. However, I have no idea what happened to the script nor the production and filming stages of the film, but I understand now why its original release date in October was postponed to the traditional January’s garbage. This was supposed to be an Oscar-bait movie: an Oscar-nominated director/writer plus two Oscar-winner protagonists, in a film that seems to be more than what it actually is? I guess the production companies saw this coming and they tried to prevent an even bigger flop. I’m always the first to defend that a movie without at least “good” technical attributes is rarely one of the best of the year. However, I’m also the first to affirm that if a film fails to deliver a captivating story with compelling characters, there’s no magnificent cinematography or mind-blowing special effects that can salvage it. Serenity doesn’t even have that. Despite me feeling pleased that it was filmed in one-location and that the set design is pretty sweet, the editing is incredibly choppy. It feels like Knight had to remove several cuts in order to reduce the overlong runtime, which wasn’t performed in the best way possible. There are a lot of moments where a character is facing a side, and in the next cut, the former is already facing a completely different one (this particular thing really occurs often). Regarding the characters, Baker and his son are definitely the ones that we learn more about since their connection is continuously addressed. Like I wrote above, there’s a relevant story behind all of this mayhem, but I did saw (even if briefly) the light at the end of this very dark tunnel. That light is instantly consumed by the darkness as new characters or subplots start to show up, and the hollowness prevails over everything else. Jeremy Strong’s character is baffling ridiculous, Diane Lane (Constance) is one of the dozens of logical reasons why the twist doesn’t work, but the one who annoyed me the most didn’t even show up. You spend a whole movie talking about this one person, like it is going to be a crucial subplot, and then you forget about it. You merely end the film, and it’s like that character was never even mentioned… Why? Why give even more reasons for someone to leave the theater frustrated? Then, there’s the tone. It’s weird until the twist and weirder after it. Not even Matthew McConaughey or Anne Hathaway can save themselves from some awfully delivered lines. Nevertheless, it’s the cast who saves this wreckage of being an F. McConaughey is a hell of an actor and he demonstrates his outstanding range throughout the runtime. Hathaway has less to do, and I felt that her lines were the worst, but I can’t argue with her ability to deliver any emotion. Jason Clarke (Frank Zariakas) is perfect as the violent father/husband, and Djimon Hounsou (Duke) has some space to shine. In the end, Serenity tries to go big and bold, but falls astonishingly flat. Plot holes, logical incongruencies, awful dialogues, terrible editing, hollow characters, and neglected subplots. Steven Knight had a great concept and a truly interesting thriller-mystery in his mind, but his execution is shockingly baffling, and the twist transforms everything into something way worse. The final message is the number one reason why I don’t recommend anyone to see this movie, especially if you take teens or kids with you. Matthew McConaughey is good enough to avoid a total disaster, and I know that there was something incredible behind all of this horrible mess. It’s probably going to end up as one of the worst films of 2019, unless we have a truly disastrous year in cinema. Rating: D-

    This is insane, which is why I really like it. It's original, it had my attention throughout the entire runtime, and I can't remember the last time I got this many chills--maybe never! I'll admit it fails to ever become cohesive but it's got so much fucking flavour that I can't not gulp it down. What would one call this? Artsy schlock? This is artsy schlock. This is my initial rating upon a first watch; it is possible I will feel differently about the film on a second watch.

    Comments

    3 months ago

    Before you get mad about the score I'm giving this beautiful mess of a film, please keep in mind that I rate things on a scale of how entertained they kept me as opposed to how "good" they actually were.That being said, this movie is not anywhere close to good. In fact, it may even be outright bad. But I'll be damned if there was a single moment in the film where I was less than entertained. I laughed more during the course of Serenity's runtime than I did at a good majority of last year's intentional comedies.The performances were attempting to evoke a noir feel but came across more John Waters and the camp factor alone was a fascinating hybrid of cringy and hysterical. From Matthew McConaughey drinking during nearly every frame of the movie to Anne Hathaway saying "daddy" every other line, I won't forget their acting any time soon.The plot is a convoluted mess and some of the turns it took won't be well-received but who cares? By the time the "twists" twisted, I was already so engrossed by this deranged piece of filmmaking that I didn't mind one bit.Go with incredibly low expectations, try to lose yourself in the strange spell Serenity weaves, and you might just have as good a time as we did.

    3 months ago

    The trailer made it seem like a great mystery murder of temptations but it was far far from that with a really dumb twist, acting directing was great but script was bad. I was really exited for this film, it just tanked

    3 months ago

    SPOILERS!!!! Shocked at the bad reviews. This movie was genius. Not hard to comprehend, but I jumped into the head of a 13 yr old boy part way through... and all the previous weirdness made sense. It was all created by a kid- not a generic hollywood movie that people seem to be wanting (gag).I was fascinated with the creation of an escape-world. I was on the edge of my moral reasoning seat- is killing the man the right thing to do? By father or son? Yes, you knew it was the son who would do it- the rest of the movie doesn't even actually exist outside his head... but would he?! Should he? The changing of the rules... how something so clearly wrong is morphed by the entire pretend universe by the creator of all.... to be the right thing, the compulsion.This is a very sideways look at a child's processing of years of domestic violence. I loved the line, If I didn't catch fish I'd find a way to kill you. And- I loved that in the end- stepdad was a "construction worker"... not a gazillionaire. I am perplexed that all these gems, and so many many more, have fallen at the feet of movie watching zombies unable to appreciate these perspectives and escape into the escape.

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