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  • Norman (2016) [BluRay] [1080p] [YTS.LT]
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Norman: The Moderate Rise and Tragic Fall of a New York Fixer (2017)

  • Comedy Thriller Drama
  • A financial schemer finds himself in the middle of an international scandal after he becomes a political adviser to the new prime minister of Israel.

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    English

    Description

    Norman Oppenheimer is the President of New York based Oppenheimer Strategies. His word-of-mouth business is consulting work largely in American-Israeli business and politics, that focus due to being Jewish. Most of that work is as a fixer: doing work that others don't want to do and with which they don't want to be officially associated. In reality, Norman is a shyster, and not a very good one at that. His office is comprised of his cell phone and whatever is stuffed in his satchel which is usually slung over his shoulder as he wanders the streets. What he promises is making connections, setting up a meeting between his guy and the other guy. Generally, "his guy" is non-existent, he dropping names of people he usually doesn't know to make connections. A usual tactic he uses is to say that his deceased wife was personally connected to so-and-so, such as being a babysitter, those stories always untrue. All he needs is for one of the people that he approaches to believe a story to build ...

    Norman (2016) download

    Norman (2016) download

    Norman (2016) download


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    Reviews

    Comments

    4 days ago

    So, I understand what a Hollywood fixer is, which gave me an understanding of what Norman does, although I'm still a little confuse on how his version of being a fixer makes any money, but that's one of the points of the film. Richard Gere plays this guy who likes to help people out. He likes to connect the dots and do favors for people and get favors in return, so he can do more favors for more people. It makes his life have meaning. Norman tends to over exaggerate his friendships with some people and the perks they come with as a way to connect with others, but as he finds out, some circles can get you into big trouble when you embellish too much.This was a good role for Gere, he made Norman a very interesting man to watch. Charismatic and witty even when the chips were down. A very good performance. Also like Hank Azaria in the film as an up and coming fixer who brings Norman face to face with himself. Very amusing.It's a very New York movie. Really loved how the film is centered around a section of the Upper West Side and never leaves itAnother tone setter was the music. The score was beautiful and lively. Not only that but they had a few scenes of the temple choir singing songs in Hebrew. It was really cool.Norman, makes for a good flick. Nicely paced and never boring with Richard Gere still pulling off an interesting leading man.Fun to watch.

    4 days ago

    If there is a theme in Norman: The Moderate Rise and Tragic Fall of a New York Fixer (2017) it may be that sycophantic fixers are everywhere. They are the loners who gravitate towards successful people, offering favours, dropping names, and arranging introductions to ingratiate and elevate themselves. They are driven by self-interest and thrive in communities of self-interest. Politics is full of them.The 'fixer dynamic' drives the film's titular character, Norman Oppenheimer (Richard Gere). He is a lonely middle age Jew without visible means of support except for being a life-size parasite on other people. The archetype of a pathological liar and dreamer, his modus-operandi could be labelled corrupt in an ethics debate: he flatters, panders, and gives gifts to those richer or more powerful, always manouvering for return on investment. By chance, he latches onto low-ranking Jewish politician Micha Eshel (Lior Ashkenazi) and gifts him a pair of outrageously expiensive shoes. They lose contact, but Norman has bought the right to drop his name anywhere. Three years later, Eshel is elected Prime Minister of Israel and Norman attends the celebrations. They re- unite and Eshel repays Norman by inviting him into the tent of influence where he is quickly out of his depth. As an inveterate fixer, he builds a complex web of promises that mostly cannot be delivered. While he does some good for some people, his house of cards eventually collapses and we are invited to judge where moral culpability lies. For every successful Eshel there are scores of Normans.Richard Gere's superbly enigmatic characterisation of Norman is the heart of this dialogue-driven film. He is irritatingly unlikeable, like a fly on a hot summer day, yet somehow endearing. He is arrogant yet vulnerable; desperate for acceptance yet with few admirable attributes. His story is whimsically satirical rather than funny and at times it wobbles precariously on the inter-personal dynamic between two unpleasant stereotypes, Norman and Eshel. Some filming gimmickry, like split screens and freeze action scenes, is unhelpfully distracting and two hours is a long time for a character study. But with clear echoes of Woody Allen-esque existentialism, this film outs the fixer caricature that feeds voraciously in circles of influence. In professional domains they are called lobbyists.

    4 days ago

    Full title of this Joseph Cedar movie is Norman: The Moderate Rise and Tragic Fall of a New York Fixer. Norman the person is not very likable. He stands too close when he talks to you, he's relentless in searching for an angle, he's quick with the half-to-full-lie. But in Richard Gere's nuanced portrayal, initial discomfort turns to something more like sympathy. How he's treated by the people who see him for what he is becomes simultaneously justified and painful. The sympathy is possible because Norman isn't angling to benefit himself, at least not financially. He only wants to feel important, that he matters in the world, yet he remains "always just a few capillaries removed from the beating heart of power," says A.O. Scott in the New York Times. When he has a setback, and he has plenty of them, you see the gears turning until he hits a way to make the best of it. When Norman "bumps into" an Israeli diplomat and does him a favor, right there you know the seeds of calamity are planted. I won't say more about the plot, which is complicated in the delicious way that only someone like Norman could complicate it. Israeli actor Lior Ashkenazi plays the diplomat; Michael Sheen plays Norman's put-upon nephew; Steve Buscemi as the rabbi of a financially distressed congregation is "a marvel of wit and off-kilter humanity," Scott says; and Manhattan plays itself, beautifully.

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