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  • Mortal Engines (2018) [WEBRip] [1080p] [YTS.AM]
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Mortal Engines (2018)

  • Science Fiction Action Adventure Fantasy Thriller
  • Many thousands of years in the future, Earth’s cities roam the globe on huge wheels, devouring each other in a struggle for ever diminishing resources. On one of these massive traction cities, the old London, Tom Natsworthy has an unexpected encounter with a mysterious young woman from the wastelands who will change the course of his life forever.

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    English

    Description

    A mysterious young woman, Hester Shaw, emerges as the only one who can stop a giant, predator city on wheels devouring everything in its path. Feral, and fiercely driven by the memory of her mother, Hester joins forces with Tom Natsworthy, an outcast from London, along with Anna Fang, a dangerous outlaw with a bounty on her head.

    IMDB: http://www.imdb.com/title/tt1571234/

    Mortal Engines (2018) download

    Mortal Engines (2018) download

    Mortal Engines (2018) download


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    Reviews

    Shocking nobody, _Mortal Engines_ was not very good. Trying to jam way too much into two hours than is reasonable, it instead delivers on zero things. I guess I was **kind of** interested in the character of Shrike, but that was really the whole of my positive experience with _Mortal Engines_. Maybe if this thing had come out about eight years ago in the **height** of the bizarre Steam Punk obsession that gripped the globe (even if it was a weird sort of obsession where everybody called everything they like, and themselves Steam Punk but it really wasn't required to have any relation to actual Steam Punk) then the movie could have at least done well financially, but there's no world wherein this version of _Mortal Engines_ is a consumate film. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._

    Comments

    1 month ago

    The movie starts with a great sequence introducing us to the post apocalyptic-steampunk world, and how it works. But from their on the movie is predictable and rushed, with story lines that you have seen elsewhere and executed better elsewhere. It's predictablility wouldn't hurt if the story and most of its characters were compelling enough to allow the audience to be invested and care. As the third act of the movie began I quickly tried to rummage through the entire movie trying to justify watching the movie and I was left with only a few reasons. One of them was the world created.Standout character: Shrike, solid arc and amazing design. (You have seen this character in the trailer).

    1 month ago

    As comedy goes it's classic gold! London has been transferred, presumably via a futuristic huge forklift truck of some kind, onto a huge chassis and is now chugging its way across mainland Europe. Needing fuel, it has the capability to gobble-up (take that Barnier!) other towns and cities (also roaming the countryside) which London 'digests' (smoke that Tusk!). Curiously, the captured cities' inhabitants are not exterminated but integrated into the City's population: so much for any anti-immigration policy! (LOL).But all doesn't go entirely smoothly for the UK capital. The Lord Mayor of London (Patrick Malahide) declares "We should never have gone into Europe. It's the biggest mistake we ever made". (Classic: how we SNORTED with laughter!)Stuffing it squarely to the 'remainers', London makes its own future. "It's time to show the world how strong London can be". Having conquered most of Europe, it's time to set its sights on new markets to conquer: so London takes the Chinese on! (Now the tears of laughter are flowing freely!) Trade deals have never been more entertaining since "Star Wars: The Phantom Menace"!OK, so in the interests of 'advertising standards', I'd better make clear before you rush out to the cinema expecting a comedy feature that my tongue is firmly in my cheek here. For "Mortal Engines" is the latest sci-fi feature from Peter Jackson. But when viewed from a Brexit perspective, it's hilarious!In terms of plot, this (like "Waterworld") makes clever use of the Universal logo to set the agenda. The world has been decimated with a worldwide war - though clearly one that selectively destroyed bits of London and not others! - and the survivors must try to survive in any way they can. Settlements are divided between those that are 'static' and those (like London) that are mobile and constantly evolving: "Municipal Darwinism" as it is hysterically described. But London, or rather the power-crazed Londoner Thaddeus Valentine (Hugo Weaving), wants revolution rather than evolution and he is working on development of one of the super-weapons that started the world's demise in the first place.But Hester Shaw (Hera Hilmar), separated when young from her mother Pandora (yes, she has a box and we've seen it: wink, wink) is intent on stopping him, since she is on a personal path of vengence. Teaming up with Londoner Tom (Robert Sheehan) and activist Anna Fang (Jihae) they must face both Thaddeus and the ever-relentless Shrike (Stephen Lang) to try to derail the destructive plan.Anna Fang declares "I'm not subtle" and neither is this movie. The film is loud and action-filled and (as a significant plus) visually extremely impressive with it. I'm not a great fan of excessive CGI but here it is essential, and the special-effects team do a great job. The production design is tremendous - a lot of money has been thrown at this - and the costume design inventive, a high-spot (again snortworthy) being the Beefeater guards costumes!Where the film really crashes, like a post-Brexit stock market, is with the dialogue. The screenplay by Jackson himself, with his regular writers Fran Walsh and Phillipa Boyens contains some absolute clunkers, notwithstanding the unintended LOL-worthy Brexit irony. It's jaw-droppingly bad, believe me.As for 'the turns', the only real "name" in the whole film is Jackson-favourite Hugo Weaving. Just about everyone else in the cast is pretty well unknown, and in many cases it shows. Standing head and shoulders though for me over the rest of the cast was Icelandic actress Hera Hilmar, who strikes a splendidly feisty pose as the mentally and physically scarred Hester. I look forward to seeing what she does next.Story-wise, there's not a sci-fi film that's not been looted, and a number of other films seem to be plundered too. (I can't comment on how much of this comes from the source book by Philip Reeve). The Londonmobile looks for all the world like Monty Python's "Crimson Permanent Assurance Company"; the teenage female lead is Sarah Connors, relentlessly pursued by The Terminator; the male lead is archaologist cum hot-shot pilot Indiana Solo, leather jacket and all; there is a Blade Runner moment; a battle that is a meld of "The Great Wall" and Morannon from "The Lord of the Rings: The Two Towers"; a less sophisticated aerial location from "The Empire Strikes Back"; and another classic Star Wars moment (without the words being actually said!).Now I'm loathe to say anything bad about director Peter Jackson, after his breathtakingly memorable "They Shall Not Grown Old". And the film has its moments of flair, most memorably a "life flashing before your eyes scene" that I found genuinely moving. But overall, as an actioner, it's a bit of a mess. It's a long way from being the worse film I've seen this year by a long stroke - it kept me interested and amused in equal measure for the running time. But I think given it's initially bombed at the Box Office, any plans Jackson had to deliver a series of these movies might need to be self-funded.(For the full graphical review, please check out One Mann's Movies on the web or Facebook. Thanks).

    1 month ago

    I've seen a lot movies like this, so I think this movie is not for me - it's for the newcomers. Great visuals, CGI looks good also the cinematography but the story has some flaws and the characters are flat and annoying. Useless sub plots, I don't think it's necessary and lame.Zero empathy for characters, wasted talent of Hugo Weaving - the only reason why I want to watch this movie. Although the first scene of the movie looks promising.Another thing that I hate about this movie, there's some line in this movie like "I don't want to tell you." then they looking at each other, and then "5 years ago..." and I'm like.. w-what.. the hell...

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